Dialectic of
Enlightenment
What is "Enlightenment"?
Enlightenment is about acquiring
knowledge and base facts upon science rather than previous traditions. This
train of thought corresponds very well to the society today where most
knowledge is based upon science and empiricism.
What is "dialectic"?
Dialectic is a way of arguing for
or against something or discussing a problem with the purpose of solving the
problem. The dialectic process requires at least two people with different
opinions regarding a subject. The problem is solved by arguing in a reasoned
way.
What is "nominalism" and why is it an
important concept in the text?
The term nominalism is a
discipline of regarding what exists. There are two different types of
nominalism. The first kind of nominalism denies the existence of universal
entities while the second type of nominalism denies the existence of abstract
objects. I believe nominalism is an important concept of the text because it is
connected to enlightenment and myths in a way so that it can either argue for
or against both myths and enlightenment, depending on which of the two types of
nominalism is regarded.
What is the meaning and function of "myth"
in Adorno and Horkheimer's argument?
The myth seems to be sort of the opposite of
enlightenment. The purpose of enlightenment is to get rid of old fashioned
values which are not really based upon anything, rather than previous thoughts
and tradition. These old fashioned values, traditions, or myths if you will,
are way different from enlightenment as the latter is based upon empiricism and
science. There was a part of the text which I liked in particular, and totally
agree with. It says that humans are free of fear when there is no longer
anything unknown, i.e. myths. The myths are then taken care of by enlightenment
of the people and to get back to the question itself I would say that the myth
in this text is simply an argument for enhancing the image of enlightenment.
The Work of Art in the Age of Technical Reproductivity
In the beginning of the essay,
Benjamin talks about the relation between "superstructure" and
"substructure" in the capitalist order of production. What do the
concepts "superstructure" and "substructure" mean in this
context and what is the point of analyzing cultural production from a Marxist
perspective?
Superstructure and
substructure are two terms which seek to explain the connection between the
production and economy, also called substructure, and factors which are not
directly linked to the production and economy themselves. Some of these factors
are politics, law and culture which are all part of the term superstructure.
These terms are essential for describing the typical class society, which is something
not very wished for, at least from a Marxist point of view.
Does culture have revolutionary
potentials (according to Benjamin)? If so, describe these potentials. Does Benjamin's perspective differ from the
perspective of Adorno & Horkheimer in this regard?
Yes, according to
Benjamin culture does indeed have revolutionary potentials. Lithography took
the culture to a new level as there would be more products on the market than
there was before with Woodcut graphic art being previous technology. Eventually
the art of photography developed the culture even further and therefore I think
it would be safe to say the he believed in the potentials. With this in mind, I would
also say that his perspective is similar to the one of Adorno & Horkheimer.
Benjamin discusses how people
perceive the world through the senses and argues that this perception can be
both naturally and historically determined. What does this mean? Give some
examples of historically determined perception (from Benjamin's essay and/or
other contexts).
Perception can be
acquired through the human senses and the mind, which makes me reflect upon the
reading of last week about empiricism, which again is a central part of this statement.
Benjamin discusses also, however, that perception can be historically
determined. By this statement I believe he means that the perception can change
over time. For instance, an item which might be emotionally valuable to me
today might not have the same value after a certain period of time, as times
goes by.
What does Benjamin mean by the term
"aura"? Are there different kinds of aura in natural objects compared
to art objects?
By aura he I believe he
seeks to describe the properties of an object, seen and interpreted from a
person’s point of view. Therefore the aura of an object may vary between
different persons as it is based upon their own reflections. The aura of an art
object however, is different. The aura may vary even further between different
perceivers as it may mean different things depending on their earlier
experiences. As the example in the text itself, the Greeks and the clerics of
the Middle Ages experienced the same object in completely different ways, which
would not probably have been the case with the mountain used to describe an
aura of a regular object.